Tiffany Studios flourished through the collective brilliance of its diverse workforce. The “Tiffany Girls” movement has rightfully spotlighted the contributions of women designers, but a complete picture of the studio’s legacy demands recognition of the talented men and women who worked side by side. This exploration celebrates the collaborative synergy of artists, craftsmen, and innovators who together forged Tiffany’s legendary success. These are the names and faces I want

Today, The Dream Garden remains in situ at its original home in Philadelphia's Curtis Center, its 100,000+ pieces of glass catching and transforming light just as Tiffany intended. Visitors come from all over the world, just as Bok hoped they would more than a century ago.

In the 1880s, Louis Comfort Tiffany lokking at this 700-year-old tradition would asked: “What if we could bring this magic into people’s daily lives, and into their homes?” The question lead Tiffany to reimagined the medieval trinity for a new world.

The next chapter in our nearly forty-year journey is being written now. If we are to continue thriving in this mission to ensure that art, culture, and social consciousness find their place in our rapidly evolving media landscape, we need a broader audience, international partnerships, and you.

While The Official Story reduces the experience of state terror to a moral fable with clear heroes and villains, I'm Still Here creates space for the ambiguous, bureaucratic horror that characterized the Brazilian military regime, ultimately providing a more profound engagement with historical memory.

In our digital age, when so much experience is mediated and virtual, these surviving in-context Tiffany works represent something increasingly rare: authentic encounters with artistic vision as it was originally intended. They exist in the wild not as abandoned artifacts but as continuing participants in American cultural life.

Standing in Jamestown with Raquel, watching artisans in period dress blow glass in a furnace that mirrors those of 1608, I felt a connection across centuries. The glowing silica, the crackle of the fire—it was as if we were glimpsing the past while holding Tiffany’s legacy in our hearts. This is the power of glass: it captures light, time, and stories, reflecting them back to us in hues of green, blue, or iridescent gold.

We're thrilled to announce our upcoming documentary project that promises to be one of our most ambitious and compelling films yet. Following the success of our previous collaboration on "Rita Dove: An American Poet," we're reuniting with the legendary poet laureate Rita Dove to bring her critically acclaimed work "Sonata Mulattica" to cinematic life.

I’m pleased to announce that I will be in Cannes from October 11 through 17 to represent the Heritage Film Project and share our most recent collection of films—created with your support and the generosity of cultural philanthropists dedicated to bringing the richness of American voices to the international stage.

If this film moves you, if you believe in the power of documentary storytelling to change hearts and minds, we invite you to support our next projects through a tax-deductible contribution to the Documentary Film Fund.

The lives of these four artists span different generations and movements, yet three share roots in Spain's Mediterranean arc—Valencia and Catalonia—while Vicente hails from Castile's high plains. Despite their distinct origins, these regions have long been Spain's most outward-looking, connected by trade, art, and a comfort with cultural exchange. Each man carried that sensibility to New York: an appreciation for light and color, a balance between classical training and natur

The Untold Story of Louis Comfort Tiffany's Global Artistic Empire and How America's Master of Light Became the World's First Global Design Ambassador

At the heart of that story stands Lucy Ann Sutton, cousin to Nathaniel Hawthorne. Her recollections, published in the New York Observer on August 4, 1887, constitute one of the few intimate, emotionally textured accounts of Hawthorne’s formative years.

The Piccirilli Factor will be part of the Fall 2025 Film & Video Series at the John D. Calandra Italian American Institute, Queens College, CUNY. The screening is scheduled for Tuesday, October 7, 2025, at 6 PM, in Manhattan.

“The Art of Joy Brown” Selected for Competition at 2025 Mystic Film Festival.

When we think of Louis Comfort Tiffany, our minds inevitably turn to those iconic stained glass lamps with their iridescent dragonfly wings and poppy blossoms, or perhaps the jewel-toned windows that grace countless churches and private residences. Yet this singular focus on his most commercially successful works has obscured a far more complex and ambitious artistic legacy—one that reveals Tiffany as a pioneering collaborator in America’s emerging vocabulary of interior arch