It all began, fittingly, in Brooklyn. First, my trusty old Bolex jammed. Frustrated, I took a moment, and that’s when I stumbled upon an Edi

In the 8mm footage I’m sharing, a handful of the most familiar characters from those first urban safaris stand out.

Twenty years ago, as a young sculptor working in the Bronx, I was introduced to the remarkable story of the Piccirilli brothers.

“The Leonardo” is the familiar shorthand for the Leonardo DaVinci School of Art in NYC.

Eduardo recently shared with me a nearly-complete version of The Piccirilli Factor. It is extraordinary.

Seeing this film was also a stark reminder of how few documentaries there are on skilled craftspeople and artists and more importantly, few

An important sequence in The Piccirilli Project explores the collaboration between the Piccirilli and George Grey Barnard.

Edward was a disciple of Richard Crozier, another artist I deeply admire. Edward and Dave were very close friends, and when you visit Dave,

After nearly a year of working together, Joseph D'Oronzio and I finally sat down, quietly, with a camera between us to record his memories o

Dave Matthews joins the film on Joy Brown and Academy Nominee Paul Raci will narrate The Piccirilli Factor.

Dave Mathews, a longtime admirer of Brown’s work, recorded an insightful and heartfelt conversation with Montes-Bradley.

Edward Boccia at Work Twenty-five years ago, I embarked on a journey to rediscover artists whose voices had been lost over time. This isn't about placing blame or uncovering conspiracies; it's simply that their work has slipped through the cracks in our fast-paced world. My curiosity was piqued by connections to figures like Robert Frost and Sherwood Anderson, leading me to seek out Julius John Lankes in vaults across the country, Ernesto Deira in Paris and Buenos Aires, Calz

En noviembre de 1938, Montes i Bradley titula su articulo de tapa “Urbanismo y Escultura”...

Back in Charlottesville, I eagerly began editing the footage captured last week in New York with Lisa Ackerman and John Belardo.

Three films by Montes-Bradley with national exposure through NETA

Nearly thirty years after its construction, the California Building was featured in the opening scene of "Citizen Kane".