En 1939 se estrena Prisioneros de la tierra , una de las películas emblemáticas del cine social argentino. En aquellos años, exceptuando Corrientes, el resto de las provincias del NEA eran territorios nacionales, categoría de administración política subordinada al Poder Ejecutivo que, como Dios, atendía en Buenos Aires. El equipo que trabajó en la película pasó a la historia, su director Mario Soffici , los actores Petrone y Magaña, los guionistas Darío Quiroga (hijo de Hora

Before becoming a distinguished cinematographer in Argentina during the 1940s, Peter Paul Weinschenk, as a German exile in Barcelona, produced some of the most remarkable documentary images of the Spanish Civil War. For nearly two years I followed in his footsteps, first to Berlin, then to Mainz, Barcelona, New York, and Buenos Aires. One of the most extraordinary woah! moments during the making of this film was precisely identifying Pablo as the filmmaker behind the camera i

por Marcelo Zapata Diálogo con el cineasta Eduardo Montes-Bradley , que terminó un documental sobre su obra. Fue fotógrafo de films paradigmáticos, como "Prisioneros de la tierra" de Mario Soffici y "La Quintrala" de Hugo del Carril. La injusticia de las omisiones, o de la memoria corta, suele dañar la escritura de la historia del cine argentino. Y, si se trata ya no de intérpretes o de directores sino de artistas de los rubros llamados “técnicos”, esas faltas son aun más g

Una primer mirada de Mercedes Álvarez en tono al documental “Searching 4-Tabernero". Publicado por Algoritmo Magazine.

Pablo Tabernero arrives in Berlin in time for the premiere of "Metropolis", a film that comes to reaffirm the will of the public in times of political turmoil and unrest. A few months later he joined as an apprentice to Marie Böhm at Becker & Maass. Böhm was a famed and distinguished photographer known for her portraits of dancers and movie stars from all over Europe. According to his descendants, Tabernero might have participated as a camera assistant during a photoshoot wit

Marcelo Zapata dedicates his column in Ambito Financiero, the Finantial Times or WSJ of Buenos Aires, to inquire about the life of Pablo Tabernero and the upcoming premier of the documentary film about "Searching 4-TAbernero", a partial biography.

There is a first exile in the life of Pablo Tabernero which could probably be applied to the decade he spent away from his mother in Berlin. He left during the pandemic of the Spanish Flew and the civil unrest of the November uprisings of 1919, and he will only return in 1927 to enroll a student at the Lette-Verein School of design. It was there that he was taught basic instruction in the art of photography. In the 1940s Pablo Tabernero will be distinguished as one of the fou