A filmmaker's reckoning with the festival circuit — who finances whom, why public money raised in cinema's name never reaches the maker, and the day the screen became a chamber for amplifying everything but the film. The author is keeping his films, and his right to choose.
A documentary portrait of American woodcut master Julius John Lankes — filmed by Eduardo Montes-Bradley and Soledad Liendo — tracing a pastoral vision of agrarian America, a lifelong friendship with Robert Frost, and a defiant career undone at last by the Cold War machine it had always refused to serve.
Un recorrido por la memoria musical afroamericana y la influencia decisiva de los violinistas negros en las tradiciones del folk y la música popular estadounidense.
