An important sequence in The Piccirilli Project explores the collaboration between the Piccirilli and George Grey Barnard.

Lucy Ann Sutton had a long line of descendants, and my children stand at the very end of that line.

Edward was a disciple of Richard Crozier, another artist I deeply admire. Edward and Dave were very close friends, and when you visit Dave,

After nearly a year of working together, Joseph D'Oronzio and I finally sat down, quietly, with a camera between us to record his memories o

Dave Matthews joins the film on Joy Brown and Academy Nominee Paul Raci will narrate The Piccirilli Factor.

As part of the Year of Cortázar celebrations, organized by the Ministry of Culture of the City of Buenos Aires, the Centro Cultural...

Dave Mathews, a longtime admirer of Brown’s work, recorded an insightful and heartfelt conversation with Montes-Bradley.

Twenty-five years ago, I embarked on a journey to rediscover artists whose voices had been lost over time. This isn't about placing blame...

En noviembre de 1938, Montes i Bradley titula su articulo de tapa “Urbanismo y Escultura”...

Back in Charlottesville, I eagerly began editing the footage captured last week in New York with Lisa Ackerman and John Belardo.

Three films by Montes-Bradley with national exposure through NETA

Nearly thirty years after its construction, the California Building was featured in the opening scene of "Citizen Kane".

'Monroe Hill' explores a significant chapter of Monroe’s life as Minister to France, highlighting his relationships with notable figures suc

The Documentary Film Fund is pleased to announce its renewed commitment to supporting the production of “Manifiesto Herrán.” This film portr

Documentary Film Fund, is pleased to announce the donation of 13 documentary films to the Centro Cultural Recoleta in Buenos Aires.

Now, back in Charlottesville, we are preparing to start the summer at a much slower pace, editing, gardening, and planning new adventures!

The murals designed by Attilio for the Rockefeller Center represent a continuation of the modernist style he cultivated.

Ever since I worked with Chesterwood and the National Trust for Historic Preservation on the documentary about Daniel Chester French...