The following sequence includes parts of my conversations with sculptor Judith Shea and her recollections of Daniel Chester French's Studio.

The Other Madisons, by Montes-Bradley, is a strong complement to Betty Kearse’ book by the same title…

I recently had the chance to sit down with Dave Matthews in Virginia to talk about Joy Brown’s monumental bronze sculptures.

Back in 2012, I was approached by Rabbi Rojzman an offer to produce fifty-four short films, each based on one of the Hebrew Torah.

The work of Lawrie, the Piccirilli Studio, and McKim, Mead, & White speaks of the collaboration between sculptors, architects, and artisans.

Today marked the start of something extraordinary: filming with Ambassador Andrew Young for a possible documentary about his legacy.

We always knew it was a story that needed to be told, and Eduardo has done it so masterfully.

The camera is our friend, allowing close study of the extraordinary grace of the Piccirilli brothers.

The building itself, designed by architect William B. Tubby in a Renaissance Revival style, features interiors by Tiffany & Company...

Documentary filmmakers Kiki Wilson and Eduardo Montes-Bradley have announced the start of production for The Ambassador.

In ancient times, architectural projects were deeply collaborative efforts that blended the skills of architects, sculptors, and artisans.

By reintroducing the visitor to Boccia’s experimental work, this exhibition seeks to create new dialogue...

It all began, fittingly, in Brooklyn. First, my trusty old Bolex jammed. Frustrated, I took a moment, and that’s when I stumbled upon an Edi

In the 8mm footage I’m sharing, a handful of the most familiar characters from those first urban safaris stand out.

Twenty years ago, as a young sculptor working in the Bronx, I was introduced to the remarkable story of the Piccirilli brothers.

“The Leonardo” is the familiar shorthand for the Leonardo DaVinci School of Art in NYC.

Eduardo recently shared with me a nearly-complete version of The Piccirilli Factor.  It is extraordinary. 

Seeing this film was also a stark reminder of how few documentaries there are on skilled craftspeople and artists and more importantly, few