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THE JOURNAL
A FILMMAKER'S NOTEBOOK
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The Negro in the Soviet Union: Four Books and an Unfinished Film
A filmmaker's shelf holds four books on one of the least documented chapters of twentieth-century American history: the African Americans — writers, engineers, artists, intellectuals — who traveled to or settled in the Soviet Union between the 1920s and the 1960s, in search of a society that promised what America denied them. Langston Hughes, W.E.B. Du Bois, Paul Robeson, and Robert Robinson. Before these books go into storage, they deserve a post.
Apr 194 min read


Black History — The Umbilical Cord: What Brazil and Cuba Kept That America Lost
A filmmaker's meditation on the African diaspora across Brazil, Cuba, and the United States — beginning in a restaurant in California in the early 1980s and arriving, decades later, at the Bay of Guanabara, where historian Haroldo Costa offered the sentence that changed everything: We did not cut the umbilical cord. The first in a series of essays exploring Black History not as a month but as a living, continuous thread.
Apr 156 min read
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