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THE JOURNAL
A FILMMAKER'S NOTEBOOK
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Victoria Ocampo: The Visionary Feminist Who Understood Women Better Than She Understood Mussolini
On my desk sits a first edition of Domingos en Hyde Park, published by Ediciones Sur, Buenos Aires, 1936. On the flyleaf, in a confident cursive hand: "A R. E. Montes Bradley, con toda simpatía — Victoria Ocampo." The essay it introduces — La Historia Viva — is one of the most remarkable political documents written by a Latin American intellectual in the twentieth century. It is remarkable not because Ocampo admired Mussolini. Many did. Between 1921 and 1935, Franklin D. Roos
Apr 1815 min read
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