A walk with Paul Chaleff through the gardens of the Hudson Valley — and a question about what the future will make of sculptures that begin in abstraction, answer to no god, and conduct their argument in a language the documentary is being made to help decipher.

Robert C. Morgan visits Paul Chaleff's Pine Plains studio and finds a sculptor working the fault line where two dimensions become three — where a vessel becomes a sculpture, where function dissolves into form. A meditation on clay as a tactile counterweight to the digital fatigue of our age.