We’re pleased to share that Daniel Chester French: An American Sculptor is now available for worldwide academic and public access through Alexander Street, a ProQuest platform and one of the most powerful engines for curated scholarly streaming media.

Michael’s devotion to French was not merely academic; it was deeply personal.

The Papers of Daniel Chester French: A Temporary Home with Heritage Film Project

The Papers of Daniel Chester French

Heritage Film Project is thrilled to announce the release of Daniel Chester French: American Sculptor on our streaming platform.

The Piccirilli Factor at The Met

The following sequence includes parts of my conversations with sculptor Judith Shea and her recollections of Daniel Chester French's Studio.

Back in Charlottesville, I eagerly began editing the footage captured last week in New York with Lisa Ackerman and John Belardo.

Three films by Montes-Bradley with national exposure through NETA

The Piccirilli Brothers' most remarkable contribution to New York is probably the 350 stone and 150 wood carvings they created for Riverside

Join us for a look into the work we're creating in the Editing Room. In this brief excerpt from the sequences pertaining to The City Beautif

Took the 4-train from Brooklyn heading to the Bronx. The ride to Lehman College took a little over an hour

I am struck by the enduring presence of many of the statues from their era, each competing for the ever-shrinking space…

NOTES FOR A DOCUMENTARY FILM | The Mott Heaven, once home to the Piccirilli Marble Carving Studio, is a part of the South Bronx that...

During last week's short visit to the MET I had the opportunity to recapture Fragilina, one of several idealized female nudes by Piccirilli.

The recent presentation of "The Italian Factor" at Fairfield University marked a significant step forward in our filmmaking journey.

A visual tour through the Marble Cave of Fantiscritti in Carrara. From The Italian Factor by Eduardo Montes-Bradley

The Metropolitan Museum of Art has recently made a significant stride in recognizing the remarkable work of the Piccirilli Brothers.

The attribution of the lionesses guarding The Morgan Library and Museum's entrance has long been a speculation topic. Despite suggestions on

The Leonardo Da Vinci Art School of New York on the Lower East Side opened its doors in 1923. I